Hope you enjoyed last weekend's fabulous Carolina Downhome Blues Festival in Camden, S.C. - it was fantastic and is always a great experience for me - and I hope you.
Our good friends and Blues supporters and promoters deserve a round of thanks for another great event - the 16th! - so please allow me a moment to share my thanks to the folks that help bring this wonderful event to the Midlands of South Carolina (and who help me help them with promotion for it - so happy to do it!), which I hope you will echo when you get a chance.
Kershaw County Fine Arts Center and staff, including Jane Peterson; Gary Erwin; Danny Riddick; Bill Rosier and Freg Ogburn of the Kershaw County Current; as well as the City of Camden, venue owners and operators; the fine folks of Camden and Kershaw County, including the school district for supporting Blues in the Schools; and ALL the fantastic artists who played this year, with a tip of the hat to those who come each year and bring their own musical stamp to such great event. The Carolina Downhome Blues Festival is so friendly, accessible and low-key - it is truly nice to feel as if we are Camden residents for a weekend. Makes me tempted to make it full-time!
Here is a preview (now a review, because I wanted it to debut in the paper for the event) I was asked to write by the Current. The piece is about our vast array of local talent (either born and bred here, or imported and adopted!). The viewpoint was chosen because we have so much to be proud of and boast about right here in sunny South Carolina.
I hope you enjoy it, and that you find time to experience these musicians and the Midlands of South Carolina if you are from afar... as ever, thanks for tuning in to the Blues Moon blog and radio show.
Clair DeLune
POB 5591 Columbia SC 29250
Facebook: Blues Moon Radio
Downhome Blues invades Camden
Clair DeLune, Blues
Moon Radio; special to the Kershaw
County Current
Blues music style,
early in its history, was limited from change by geography. The physical and
fiscal difficulties of travel kept outside influences from affecting music in
different areas of the country. The roots of Blues, which came from African
griot storytellers and drummers, was a starting point up and down the eastern
part of the country, with different areas developing different styles of Blues.
Over a hundred years
later, mountains and rivers no longer present boundary challenges - although
many present-day musicians claim gasoline prices might affect the same
“grounding” - thus, music has become
much more blended by exposure to differing musical styles from travel and the
advent of television, radio and electronic means of transmission of music, such
as streaming internet radio, video and music downloads.
Despite an explosion
of exposure to musical influences, there remains a “downhome” South
Carolina-based geographical Blues connection with many of the artists appearing
October 4-6, 2012, at the 16th Annual Carolina Downhome Blues Festival in
Camden, South Carolina.
There are a few
Palmetto natives, which is to be expected, and we’ll have some adopted sons as
well. Frequent visitors who rank as Palmetto pals will round out our
geographical look at performers; but let’s not forget to see and welcome our
neighbors, who share proximity with a Palmetto border. In addition, it is
always good to welcome visitors who bring styles from faraway climes, who can
go back home and brag about having received some of our world-famous Southern
Hospitality.
All in all, there is
a lot to see and hear at this year’s festival.
Born and bred:
RUSTY DAVIS hails
from the center of Camden, in the center of the Palmetto state. Who better to
start with than the owner of a renowned guitar shop, who has provided more than
a few guitar greats an introduction to the fret board? Davis has played in
bands from his days in Columbia as a young man; as a duo, with Patrick Davis,
his son who is a successful singer/songwriter in Nashville; and solo. Davis,
who is quiet and unassuming offstage and prefers to let his guitar do the
talking, will knock you out with his clean, righteous slide and riffs that will
give you chills. Solid playing with clean note-by-note clarity is the byword
for Rusty Davis. A must-see for players and fans alike.
JOHN HARTNESS
Another fine
guitar-picking native is Blythewood’s own John Hartness. While it might appear
that Hartness mixed up his early guitar influences, which include Robert Johnson,
Big Bill Broonzy, John Lee Hooker, Doc Watson and Chet Atkins, what emerges is
a respected blend of music known as Country Blues. Later influences turned into mentors. Hartness
credits a fellow Palmetto State native, Mac Arnold (former Muddy Waters
guitarist), for his encouragement to enter the music business. Hartness’ steely
slide and deeply resonant vocals on “Burying Ground Blues” will provide another
reason, should you need more, to be glad you are in Camden and not sleeping in
your grave.
WANDA JOHNSON &
THE UPSTATE RHYTHM SECTION
If your life has its
ups and downs, then do not miss Miss Wanda. She brings you up when she gets
down with the Blues. If there are chairs in a venue she plays, they are
rendered unnecessary because this South Carolina pearl of a girl sweeps people
off their feet when she sashays into the audience and takes people by the hand
to dance with them. From ballads to Bluesbusters, the Upstate siren thrills
audiences with a range that is rare in performers today. Johnson is the toast
of Europe, but we proudly proclaim her as pleasingly Palmetto born.
THE MOBROS
Two hometown heroes
for the price of one: The Mobros pack a lot of punch in their combined
thirty-something years on earth. Still teens, these Camden born-and-raised
brothers will pull no punches when it comes to delivering a knockout
performance. See them while you can still catch them at a small, intimate venue.
Later you’ll brag you did.
www.themobros.net
www.themobros.net
Adopted and adored:
LUCKYMAN BEALL
Described as a
“one-man honkytonk blues band, working it out on guitar, drums and vocals,”
Lucky could be perceived as efficiency in action - that is, if your attention
were not riveted by how great he is. An undeniably authentic, itinerant
songster who left home as a very young teen and worked odd jobs as he traveled
all over America before perching out in the country near Lake Murray, he tells
a tale in each of his song - very often from his own experiences. Influences range
from Furry Lewis to Johnny Cash, his unique blend of talents and quirky outlook
on such far-flung topics as hoe cakes or fabulous babes who could “make a
bulldog break his chain” make for a performance you will never forget.
There are two types
of people in this world: Lucky fanatics and those who have yet to have his
indelible stamp on them for life. Be sure you “get Lucky,” too.
www.laurencebeall.com
www.laurencebeall.com
JEFF LIBERTY
Just before the last
major resurgence of the Blues, Jeff Liberty came to Columbia via a tour of duty
at Ft. Jackson. It might be said the military provided much-needed defense of
the Blues by lending us this man’s talents. At a Blues jam at the old Blues hangout,
Beulah’s in the Vista in Columbia, people were awed and slack-jawed as Liberty
bent guitar strings and made them scream at red hot speed. The military took
our Liberty, as they had given it, but after leaving the service and spending
time gaining more blistering chops in New Orleans, St. Louis and Memphis, the
award-winning Liberty returned to the Palmetto State and hung his low-slung hat
in Lexington, much to the pleasure of all of us here who appreciate fiery,
electric powerhouse Blues guitar accompanied by gritty vocals.
www.jeffliberty.com
www.jeffliberty.com
SHRIMP CITY SLIM
Shrimp City Slim traveled
from Chicago to Charleston, and what would the South Carolina Blues scene do
without him? If paying dues to the Blues were equated with gunslinging, this
keyboard dazzler would be two-handing it, both as a performer at each year of
the Carolina Downhome Blues Festival, and as one of its originators and talent
coordinators. Shrimp City Slim can be likened to Little Brother Montgomery or Sunnyland
Slim. Shrimp City Slim entertains with a smile, a twinkle in his eye and
dancing fingers on the ivories that produce upbeat ditties that bounce between
wry observations, comedic commentary and the occasional flat-out Blues lament. Chicago-born
but Charleston-blessed, the Midwest’s loss is the Palmetto State’s gain. Look
for his freshly-released CD, “Rio Angie.”
www.shrimpcityslim.com
www.shrimpcityslim.com
REV. MARV WARD DUO
Balancing the
professional day job with life as a professional songwriter and musician is not
easy, but Marv Ward makes it happen as if it were like falling off the
proverbial log. Perhaps doing so is what drove him to religion, making him the
Right Reverend Marv Ward. Or perhaps it is just the value of his music that
attracts people to him in droves, like a preacher attracts his flock. From his
teen years opening for major acts like Vanilla Fudge to his country and Blues
roots, Ward has run the gamut in his music career, but has always kept
strumming. Three CDs to his credit, he enthralls a crowd with his lyrics and
intricate playing, with the occasional high lonesome wail, which might come
from his Virginia roots. The good news, Virginia, is that there is still a
Santa Claus; the bad news is that we stole Rev. Marv from you... and we plan on
keeping him.
www.marvward.com
www.marvward.com
Palmetto Pals - our
honorary residents:
ROBERT LIGHTHOUSE
(Sweden) - close your eyes and you will believe Robert Johnson is serenading
you.
www.robertlighthouse.com
www.robertlighthouse.com
BEVERLY GUITAR WATKINS (Atlanta) - Dr. Feelgood’s forceful guitarist broke the glass ceiling for women guitarists in the 1950s by playing behind her head and with her teeth better than the boys could. She hasn’t lost a bit of verve and vigor since.
www.beverlyguitarwatkins.com
From elsewhere
around the globe:
For the bargain
price of $15/night, you have the opportunity to wander at leisure among a
plethora of places to see a number of major label and independent talents play
a wide array of styles. Linger and lounge for a local or hoof it to the next
venue for talent from across the country or the world. Stop and eat, or swing
through and catch them all. Make your selections by geography, style,
proximity, distance or just by sheer whimsy... you cannot go wrong at the
Carolina Downhome Blues Festival.
MARSHALL BALLEW
(Tennessee)
www.reverbnation.com/marshallballew
JEFF BEASLEY DUO (Savannah)
www.jeffbeasleyband.com
DADDY MACK BLUES BAND (Memphis)
www.myspace.com/thedaddymackbluesband
BILL MILLER BLUES BAND (North Carolina)
www.reverbnation.com/billmillerband
TAD WALTERS DUO (North Carolina)
www.reverbnation.com/tadwalters
www.reverbnation.com/marshallballew
JEFF BEASLEY DUO (Savannah)
www.jeffbeasleyband.com
DADDY MACK BLUES BAND (Memphis)
www.myspace.com/thedaddymackbluesband
BILL MILLER BLUES BAND (North Carolina)
www.reverbnation.com/billmillerband
TAD WALTERS DUO (North Carolina)
www.reverbnation.com/tadwalters
"DETROIT BLUES
PARTY" featuring Harmonica Shah, Emanuel Young, and Howard Glazer
(Detroit)
www.harmonicashah.com
www.myspace.com/emanuelyoung
www.howardglazer.com
TRAVIS "MOONCHILD" HADDIX (Ohio)
www.travishaddix.net
PETER KARP & SUE FOLEY (New Jersey/Canada)
www.karpfoley.com
RANDY MCALLISTER (Texas)
www.randymcallister.com
CHRIS O'LEARY BAND (New York)
www.thechrisolearyband.com
FRANC ROBERT & THE BOXCAR TOURISTS (Florida)
www.francrobert.com
www.harmonicashah.com
www.myspace.com/emanuelyoung
www.howardglazer.com
TRAVIS "MOONCHILD" HADDIX (Ohio)
www.travishaddix.net
PETER KARP & SUE FOLEY (New Jersey/Canada)
www.karpfoley.com
RANDY MCALLISTER (Texas)
www.randymcallister.com
CHRIS O'LEARY BAND (New York)
www.thechrisolearyband.com
FRANC ROBERT & THE BOXCAR TOURISTS (Florida)
www.francrobert.com
Clair DeLune is music
historian, writer and professor who will teach Music of the Carolinas for USC’s
Southern Studies Department this spring. She has produced and hosted a roots
radio show since 1990. Join her on Facebook at Blues Moon Radio.
9/21/2012 Special to
the Kershaw County Current
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